Challenges for creators, critics and the audience
The tremendous accessibility in the process of image producing, reproducing, managing, and sharing propagated by digital technology has altered the terms through which we approach visual artworks.
To what extent do digital tools presently available to artists, critics and researchers determine the manner in which they employ visual art? And even more importantly: What does digital reality mean for visual artists? Does it transform the manner or the essence of their work? Does it in itself constitute a part of the art, or is it maintained as an element separate from the artistic creation?